Illuminations

Illuminating Art & Ideas

Sources

A list of sources for the extracts on the screens in ‘Irish Writers’ (in order of appearance):

Nuala Ní Dhomnhaill, ‘Cé Leis Tú?’ in Selected Essays, edited by Oona Frawley (Dublin: New Island, 2005), p. 115.

Anne Enright, ‘Five, Four, Three, Two, One’, The Dublin Review, 1 (2000-1), 14.

Sinéad Morrissey, ‘Among Communists’ in There was Fire in Vancouver (Manchester: Carcanet, 1996), p. 10.

Rita Ann Higgins, from ‘It’s All Because We’re Working-Class’ in Peggy O’Brien (ed.), The Wake Forest Book of Irish Women’s Poetry, 1967-2000 (Winston-Salem: Wake Forest University Press, 1999), p. 190.

Éilís Ní Dhuibhne, ‘Nomads Seek the Pavilions of Bliss …’ in The Pale Gold of Alaska (Belfast: Blackstaff, 2000), p. 95.

Marina Carr, from ‘Low in the Dark’ in David Grant (ed.), The Crack in the Emerald (London: Nick Hern, 1990), p. 96.

Mary O’Donnell, from ‘Savignyplatz, Enniskillen’ in The Place of Miracles: New and Selected Poems (Dublin: New Island, 2005), pp. 14-15.

Eiléan Ní Chuilleanáin, from ‘A Bridge Between Two Counties’ in The Sun-Fish (Loughcrew: Gallery, 2009), p. 13.

Moya Cannon, ‘Nest’ from Oar (Loughcrew: Gallery, 2000), p. 46.

Paula Meehan, from ‘Coda’ in The Man Who Was Marked By Winter (Loughcrew: Gallery, 1991), p. 50.

Medbh McGuckian, from ‘Jeszcze Polska’ in Had I a Thousand Lives (Loughcrew: Gallery, 2003), p. 95.

Jennifer Johnston, from ‘“A Daft Way to Earn a Living”: Jennifer Johnston and the Writer’s Art: An Interview’ (interview with Richard York), in Bill Lazenbatt (ed.), Northern Narratives: Writing Ulster (Newtownabbey: University of Ulster, 1999), p. 41.

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